Marketing in the Bazillion-Book Marketplace: Contests and Giveaways

Cross-posted at www.JudeKnightAuthor.com as part of our ongoing marketing series.


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In recent posts in the series Mari Christie and I are writing on marketing in the bazillion book marketplace, we’ve been talking about marketing plans. Posts have focused on audience and purpose. What do we want to achieve? Who do we need to reach? We’ve begun to talk channels. Where will we go to find our readers? But we don’t yet have a plan.

A marketing plan is our map for the journey to the destination ‘book sales’. But deciding you’re flying to the Caribbean for a holiday is only the first step in a travel plan. You need to do a lot more planning and take a heap of actions before you can drink cocktails under a beach umbrella. And a marketing plan is no different.

So we’re going to talk tools and tactics: the mechanisms you’ll use to get to your destination (the savings account, the airplane), and the actions you’ll take (put aside 2% of your pay packet, buy a ticket).

So watch for posts on various tools and tactics. This week: giveaways.

Promote your book by running a giveaway

Hosting creative giveaways can help draw attention to your book. But making sure they give you the results you want takes a bit of planning.

Keep it simple — but be clear about what you want to achieve

Do you want more subscribers to your newsletter? More followers on Twitter? More party-goers at your Facebook launch party? Design your giveaway questions to get the results you’re after. Be creative. You could ask those who enter to:

  • share a particular post
  • comment on a particular post
  • post a phot
  • post a caption to a photo
  • come up with a name for something in your next book: a character, pet, house, ship, town… or even book title
  • answer questions about what they enjoy in books.

Choose a prize people want — and that works for you

The better the reward, the more entries you’ll get. At the same time, you want entries from people who are interested in the type of book you write. A $50 Amazon card may be attractive, but it might also attract people who are only interested in the prize, not your book. Here’s a post Mari wrote on prizes.

Consider combining with other authors to make a bigger prize.

Use multiple forms of social media to promote

Different people focus on different types of social media, so make sure you promote your giveaway on Twitter, Facebook, Pinterest and wherever else you have a presence. Use the word ‘giveaway’ in the title and tell people about the prize.

Pay attention

During the giveaway, visit the posts and comment. Talk to those entering. Show an interest.

Finish gracefully

Announce your winner or winners as soon as practical after the giveaway is over. Send out the prizes straightaway. Thank all those who have participated.

Watch the legal stuff

A sweepstake is a promotion where the winner is chosen by a random drawing. A contest is a promotion where the winner is chosen on merit (by vote or a judging panel). You can safely call them both giveaways, but be careful not to call a sweepstake a contest.

You need to state the prize, the deadline, and the conditions of entry up front, and you can’t change those after you’ve started. You can’t charge a fee to enter and you must accept all valid entries.


10726384_438048036344768_1967130616_nJudy holds a Masters in Communication, and is accredited in public relations through the Public Relations Institute of New Zealand. As a writer and editor for a broad range of government and private-sector organizations, she has applied her clear writing skills to topics as diverse as insurance, climate change, income tax, genetics, finance, local government, and health.

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Marketing in the Bazillion-Book Marketplace: Road to a Better Mousetrap, Part 3

Cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


billboard-951520-mby Jude Knight

A few weeks ago, I posted the first part of an article about writing marketing plans. This was about knowing your reader. You need to know who you want to sell to, what they want to buy, and how much they will spend.

The second post talked about knowing your product and finding your readers.

In this post, we talk about how to keep your readers and how to get them to sell your books.

How not to become rich and famous

Writing books is no sure way to wealth and fame, as every writer knows. Wealth and fame, or even a modest income and privacy to write more, means selling books. Selling books eats into your emotional and creative energy: energy you could be pouring into your books.

But not selling books, for those of us without a private fortune or a rich spouse, means doing some other job to put food on the table, and the job eats into your time and very likely your emotional and creative energy.

You already know that finding buyers (other than your closest friends and relatives) means writing a good book, having it well edited, and giving it a gorgeous cover. Do these things and you’ll find a few buyers. A few.

Sales figures for ‘the average book’ are no more than a guesstimate, but a few brave people have made an attempt, basing their figures on reported sales from a variety of sources. And those figures come out somewhere in the region of 200 to 500 books in the first year, depending on genre, with an upper average of 1000 in the lifetime of the book.

Of course, a very tiny fraction of one percent of all books do spectacularly well, selling 10s, even 100s of thousands, which means the average of all of the rest is probably lower, closer to the 200.

That’s the average. And you wouldn’t be reading this article if you didn’t want to beat the odds.

Don’t find buyers; attract (and keep) fans

It’s a vicious cycle, but there is an answer. Find other people to sell your books for you. Convert your readers into followers, and your followers into raving fans.

We’ve discussed in other posts the need to interact with readers. This post gives three steps for making those interactions count. When you write your marketing plan, document how you intend to do these things.

  1. Make it easy for them to find you.
  2. Make it worthwhile for them to follow you
  3. Provide interesting stuff

Make it easy for them to find you

Sell your books where the bulk of your readers are. Whatever you might think of Amazon’s business model, learn how to make the most of the platform they offer. Tailor your keywords, the bio on your author page, and all the other tools they provide to get your book noticed. Do the same with other eretailers, too.

Your print audience is going to be smaller. I cannot give much advice on print. My books are available in print, but I haven’t been pushing the print copies because I only have a certain amount of energy.

Give away a free book—short stories, excerpts, or a novella. Before you can convert that reader, you first have to put a book in front of them. My novella, Candle’s Christmas Chair, was downloaded 53,000 times in its first six months. That’s 53,000 readers I have a chance at converting.

In your free book, as well as your books for sale, give your readers a reason to go looking for you and a way to connect with you as soon as they finish the story. On your next pages, put links to your social media and subscription services, teasers and excerpts for your other books, buy links for the books already on sale.

Make it worthwhile for them to follow you

Okay, you’ve given them a reason to click. Now give them a reason to subscribe, to buy, to join, and to follow.

Here are few that work well if you do them well.

Have a newsletter. Make it easy for people to sign up and give them interesting content. Reward them with coupons or insider information, and special contests. Keep your newsletters brief and informative, and don’t send them too often.

Have a blog. Blog about things that interest your target readers, and blog regularly. Use your blog to inform and entertain. Watch your blog stats to find out what posts do well and what topics people consistently ignore. Do more of the one and fewer of the other.

Post often. Themed days can help if you have trouble thinking of what to say. Visitors can help, and people love to be hosted on other people’s blogs. It’s a win-win; they reach your audience and you’re introduced to theirs. One idea is to invite other novelists to post a themed extract in comments. (A brilliant example of this is Exquisite Quills).

Encourage people to subscribe to your blog, so they get notified when you put up a new post. And post often. Visitors can help. Themed days can help.

Have a twitter account. Tweet about things that interest your readers. Reply to people’s comments. Tweet about interesting blog posts. Link to free books and excerpts.

Have a Facebook fan page and post stuff about your books, research you’ve done, places you’ve been, and your cat. Facebook loves cats. Ask questions. Join in conversations. Post interesting memes and idea.

Provide interesting stuff

Don’t be a digital billboard, constantly trying to sell something. Engage, inform, entertain, intrigue, delight. Put the effort into writing quality content, whatever you’re posting: hot men, useful recipes, research into royal mistresses, castles, cute cats, questions about romance tropes.

I’ve been trying to do all of these, though not as consistently as I’d like. Torn between the day job, the fiction writing, family commitments, and marketing, I lurch from too much focus to too little. Still, in the first three months after the release of Farewell to Kindness, I’ve sold over 900 copies. Not enough to retire on, but considerably over the odds.

In the next road to a better mousetrap post, tools and tactics?


10726384_438048036344768_1967130616_nJudy holds a Masters in Communication, and is accredited in public relations through the Public Relations Institute of New Zealand. As a writer and editor for a broad range of government and private-sector organizations, she has applied her clear writing skills to topics as diverse as insurance, climate change, income tax, genetics, finance, local government, and health.

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Marketing in the Bazillion-Book Marketplace: Road to a Better Mousetrap, Part 2

Cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


billboard-951520-mby Jude Knight

A few weeks ago, I posted the first part of an article about writing marketing plans.

Most of the first post was about knowing your reader. You need to know who you want to sell to, what they want to buy, and how much they will spend.

But they’re not going to come to you; you have to find a way to go to them. And before you do that, you need to know what you have to offer them.

Know your product

Ridiculous, right? You know your product. Who better? You’ve spent six months, or a year, or three years of your life on this book. So can you encapsulate its essence in a sentence? And does that sentence hook into the interests and passions of the readers you want to reach? If the first nine words of your sales statement does not capture people’s attention, then expect to be lost in the crowd.

Tagline
This sales statement is called a tagline, and it’s worth spending some time crafting it, because you can then use it everywhere – at the start of your description on eretailers websites, in newsletters, in requests for review, on twitter, at the start of Facebook posts, even on the cover of the book itself.

Here are some great taglines:

  • Across the Universe by Beth Revis: What does it take to survive aboard a spaceship fueled by lies?
  • The Mockingbirds by Daisy Whitney: Hush little students, don’t say a word…
  • After by Amy Efaw: You’ve done the unthinkable. What happens…after?
  • Wake by Lisa McMann: Your dreams are not your own.
  • Hold Still by Nina LaCour: How does your life move forward when all you want to do is hold still?
  • Ten Cents a Dance by Christine Fletcher: Bad boys and secrets are both hard to keep.
  • Anna Dressed in Blood by Kendare Blake: Just your average boy-meets-girl, girl-kills-people story.
  • Le Déesse Noire: The Black Goddess by Mari Christie: Kali Matai was destined from birth to enthrall England’s most powerful men. She hadn’t counted on becoming their pawn.

Keywords
Keywords are the next thing to think about. What words are your readers likely to search on. “Spies Napoleonic wars”? “Courtesan to wife”? “Tudor court politics”?

Amazon and Smashwords let you enter a number of keyword phrases, and carefully chosen keywords will help people using their sites to find your book if that’s what they’re looking for. But you can use them much more widely than this.

First, you can litter the keyword phrases in your online conversations about your books, thus increasing the number of times you’re picked up by search engines.

Second, you can use the keyword phrases to search for the people who are using them and the places they hang out. Which brings us to:

Go where your readers are

Writing books is a solitary task. We talk to one another about our craft and our day, but when it comes to putting words one after the other into a text that will one day be a book, we do it alone.

But to put those books into the hands of readers, we need to step out, often outside of our comfort zone, and hang out with people. Mari and I have posted elsewhere about marketing by not-marketing, and I’m not going to repeat that here, except to say I’m not talking about going out to make sales. I’m talking about going out to meet people and have conversations.

You cared enough about your “pirate-lord-succumbs-to-captive” story to spend endless hours writing, editing, and honing it. Perhaps you can ask people what they think of the concept behind it: the idea, perhaps, of arrogance faltering in the face of genuine love. Or you might have some insights to offer from your research into piracy at the time your novel is set. Or you might be able to combine with other writers who’ve explored the same trope to do some kind of a joint presentation.

We’re getting down to tactics, here, and that’s a whole other blog post. Suffice it to say that talking about your passion, the topic in which you’re an expert, shouldn’t be a chore. (And it should go without saying that, as in any conversation, it’s a great idea to listen twice as much as you speak.)

So get out there and hold conversations, whether you meet your readers online or in real life; on Facebook, Pinterest or Google Plus; at a book fair, a country show, or a signing tour.

In the next road to a better mousetrap post, who will sell your books for you?


10726384_438048036344768_1967130616_nJudy holds a Masters in Communication, and is accredited in public relations through the Public Relations Institute of New Zealand. As a writer and editor for a broad range of government and private-sector organizations, she has applied her clear writing skills to topics as diverse as insurance, climate change, income tax, genetics, finance, local government, and health.

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Marketing in the Bazillion-Book Marketplace: Make Yourself an Expert

Currently cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


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I know old-school marketing. I have been working to promote products, people, and services since I was about 15 years old. (And since I am old…)

  • Trade and Consumer campaigns (B2B, B2C)
  • Strategic and tactical planning
  • Design, copywriting, advertising, on- or off-line
  • Collateral material
  • Printing, publishing, distribution
  • Media relations
  • Event planning and management

Talking about any of the above makes no difference at all to sales of my books.

Where it does make a difference is in selling my services as a marketing consultant, business and technical writer/editor, designer, cover artist, and author PA. And, if I were to write a book about marketing—not outside the realm of possibility—my credentials would help sell it.

Because, after 25 years, there are very few promotion situations I haven’t faced. Because I can explain how to sell in plain English. Because when I talk about marketing a product, past results show it is not a bad idea to listen.

Because I am an expert.

As a writer trying to sell books, making yourself an expert is a great way to create brand recognition and a following. (This should go without saying, but I am not suggesting you can tout yourself as an expert with no expertise to back it up.)

Aside from pursuing an MFA in Creative Writing (or Master’s or PhD in another academic discipline), and looking for a university teaching position, there are any number of other options that will make you a person to take seriously about the business or craft of writing, or both.

Given enough experience, you can (like me) become a professional writer/editor. You could teach classes in less formal settings, like trade groups or online. Some people set up workshops or formal critique groups. Still others work in publishing or printing or distribution, lending value in traditional or indie publishing settings.

But beyond expertise in publishing, you can also sell books by becoming an expert in your subject area or genre. Historical fiction authors are great at this, using blogs to write up their research, or writing nonfiction about their time period. But history doesn’t have to be your subject matter.

Chefs sell cookbooks by feeding people great food. Self-help authors sell books by creating workshops that help people. Motivational speakers sell books by pumping people up at appearances.

Everyone seems to sell books by writing blog posts and articles in their subject area.

You can sell books by winning contests, being written up in your local paper, giving lectures at trade shows, or being interviewed on local television.

It takes, they say, 10,000 hours to become an expert in anything. By the time you are finished writing a book, are you not an expert in—if nothing else—that book?


Mari ChristieMari Christie is a professional writer, editor, and designer with almost twenty-five years’ experience in marketing and business communications. She holds a BA in Writing from the University of Colorado Denver, summa cum laude, and is a member of the Bluestocking Belles and the Rocky Mountain Fiction Writers. Under the pseudonym Mariana Gabrielle, her first Regency romance, Royal Regard, was released in November 2014 and her second, La Déesse Noire: The Black Goddess will be available in June 2015.

Websites: www.MariChristie.info and  www.MarianaGabrielle.com
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Marketing in the Bazillion-Book Marketplace – All for One and One for All

Between last week’s book launch and this week’s technical writing job, I am doing the unthinkable… reposting an earlier Bazillion Book Marketplace piece. Since I have a lot of new readers since August, it suspect it won’t be repetitive for everyone. I hope you enjoy it. 🙂

Marketing in the Bazillion-Book Marketplace, Pt. 2 – All for One and One for All.

Marketing in the Bazillion-Book Marketplace: Road to a Better Mousetrap, Part 1

Cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


billboard-951520-mSo you’ve written a book. You’ve done all the right things. You’ve learned your craft. The book has been edited, copyedited, proofread. It has a marvelous cover.

Now all you have to do is stick it up on Amazon, and wait to grow rich?

Right?

If only it were that easy.

Those who fail to plan, plan to fail

You need a good book. You need persistence. You need a healthy dose of luck. Above all, you need a plan.

In this post (and the next) in the Bazillion Book Marketplace series, Mari and I are going to talk about what needs to be in a marketing plan for a book. (You might also want a marketing plan for Brand You, but that’s another post.)

To write a plan, you need to know who you want to sell to, what they want to buy, how much they’re prepared to pay, and where they expect to find it. (In marketing parlance, the 4 Ps–Product, Place, Price, and Promotion.)

This week’s post looks at your reader, your book, and your price. Next week, we’ll talk about where books are sold, where they are promoted, and what marketing materials you might need.

Know your reader

Your marketing plan should start with your reader. Can you describe your typical reader? Do you know how old they are? What sort of education they have? What they do when they’re not reading? What other genres they read?

Do you know what they like about the kind of book you write? What they don’t like? What will make them keep reading and what will cause them to shut the book and hurl it across the room?

What are their hobbies, interests, passions?

Where can you meet them (online or in person or both)?

The better you can describe your typical readers, the better you can put yourself (and your book) in front of them.

Know your book

No one knows your book better than you do, right? But can you capture the essence of your book in a couple of compelling sentences that grab that typical reader by the imagination and drag them to the bookstore?

In your marketing plan, describe what about your book will appeal to your reader, then write your compelling description–your story’s tagline (some call it a logline).

Know your price

What do your readers think they should pay for a book like yours? What are they prepared to pay? Do some research. Also think about the best price points to give you a good return. Pricing e-books is a contentious topic, and a post I wrote on this several weeks ago has been the most viewed and commented on more than any I’ve written since I started this blog.

Should you give one or more of your books away free (permanently or for a short period)? Should you put the book on a special price for a limited time? Will pricing low help you sell more books, or will it make them less valued? How does your genre affect your price? (For instance, novels are most often seen in the $2.99 – 3.99 price range, but self-help averages about $7.99.)

Next steps

Knowing who you want to sell to, what they want to buy, and how much they will spend is a good start. In our next post, we’ll talk about putting that knowledge to good use when deciding where and how to promote your book.


10726384_438048036344768_1967130616_nJudy holds a Masters in Communication, and is accredited in public relations through the Public Relations Institute of New Zealand. As a writer and editor for a broad range of government and private-sector organizations, she has applied her clear writing skills to topics as diverse as insurance, climate change, income tax, genetics, finance, local government, and health.

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Marketing in the Bazillion-Book Marketplace: How to Non-Market

Originally posted at 10 Minute Novelists. Currently cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


billboard-951520-mI’ve spent a large part of my career as a commercial writer in my own small business. Small business owners are responsible for everything. I was writer, peer reviewer, company book-keeper, chief executive, project manager, strategic planner, stores manager, cleaner of toilets, sales person and, of course, the big ‘M’ word. The one I feared. Marketing. So I learnt how to promote my business by non-marketing; marketing that doesn’t feel like marketing. Marketing that an introvert like me could do just by being myself.

It was good preparation for being a self-published writer. Again, I am running my own business. And again, I’m out in the world vigorously non-marketing.

Non-marketing is about being present

The first rule of non-marketing is to spend time with people who might want to read your book. Get to know them. Talk to them about the things that interest you. Find out what interests them. Be present.

In traditional non-marketing, writers joined Toastmasters, and Rotary, and the local bowling club. They went to book fairs and gardening clubs; talked at schools and writers’ workshops; went to dinner with agents and editors and book clubs. And we can still do all of those things.

Today, we can also spend time with people all over the world, using the Internet. You don’t have to be everywhere; choose two or more from Facebook, Twitter, Instagram, Youtube, Pinterest, blogging and all the others. Then go and meet people. Be present.

Non-marketing is about being genuine

If you want a friend, the old saying goes, you have to be a friend. The second rule of non-marketing is to offer others a helping hand. One of the things I really love about the romance writing community is the open-hearted, open-handed and genuine approach to helping others.

This isn’t about reciprocal arrangements: like my page and I’ll like yours, review my book and I’ll review yours. It isn’t about sucking up, either. Being genuine means giving because I can, because I know the answer to your question, or have the contact you need, or have a blog and would love you to be my guest.

The flashy insincere marketers might also be helpful, but always there’s an agenda. Sponsorships are often this kind of marketing. The support comes with strings attached, in the form of opportunities to sell their service or product. Sponsored by [insert name of famous soda drink here].

As non-marketers you’ll be helpful because you are genuinely interested. You want to know about the birth of a friend’s grandchild. You celebrate your friend’s acceptance letter from a publisher because you’re genuinely happy for them. You hunt your research database for an obscure fact someone has asked for. You send you a condolence message because someone’s troubles touch your heart.

Non-marketing is about offering a unique experience

If you’re present in a community who love the kind of books you write, one way you can be genuinely helpful is to offer them your book. Not in a ‘buy, buy, buy; me, me, me’ used car salesman way, but gently, as part of the conversation.

Let’s say people are talking about the kinds of protagonist they prefer. You may, if it fits in the conversation, use a description of your own protagonist to illustrate your point. Keep it short. Make it interesting.

It helps to be very clear about what you do that is different, and to have a few lines you can use. If someone asks what I write, I say ‘historical fiction with strong heroines, heroes who can appreciate them, and complex plots full of mystery and suspense’. It’s a tagline I’m working on, and constantly changing, but it’s getting there. My hero Rede is “a man driven by revenge who needs to move beyond his past before he can have a future”.

And there you have it. I’ve used my work to give two illustrations of my point. And I don’t need to belabour it until you’re bored, or sell you something today. Today, we have more important things to talk about, such as how you can turn a friend into a long-term reader.

Non-marketing is about being good at what you do

Insincere marketers rely on lots of noise to keep driving new customers to their product. Non-marketers know that the best customers of all are the ones who love your product so much that they will sell it for you, by telling all their friends.

So write a good book. No. Cancel that. Write the best book you can. And when you’ve finished, write a better one. Never stop learning; never stop improving. Your best marketing tool is your library of successful publications.

Non-marketing is about building long-term relationships

I don’t want readers. Or, at least, I don’t want just readers. I want to make friends who will stay with me for the journey.

Readers, yes. People who find I offer them a reading experience they can’t get from anyone else, so they wait for my next book and pounce on it as soon as it goes on pre-order. People who will contact me and tell me what they like, discuss my characters, adopt my heroes as book boyfriends and my heroines as BFFs, argue about the motivations of my villains, pick up some of my subtle jokes and codes.

And fellow writers. People who will laugh at the things I laugh at, tell stories about their craft that inspire, amuse, or dismay, help me out and accept my help, understand the journey — its costs and its rewards.

Above all, I want friends who care about books and about story telling, and who are happy to talk about them. And the heart of non-marketing is making friends.


10726384_438048036344768_1967130616_nJudy holds a Masters in Communication, and is accredited in public relations through the Public Relations Institute of New Zealand. As a writer and editor for a broad range of government and private-sector organisations, she has applied her clear writing skills to topics as diverse as insurance, climate change, income tax, genetics, finance, local government, and health.

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Marketing in the Bazillion-Book Marketplace: Word-of-Mouth

Originally posted at 10 Minute Novelists. Currently cross-posted at www.JudeKnightAuthor.com as part of our new, mutual, ongoing marketing series.


billboard-951520-m“Pick a Little, Talk a Little, Pick a Little, Talk a Little, Cheep, Cheep, Cheep, Talk a Lot, Pick a Little More…”

I date myself with this reference to The Music Man (and finally publicly admit my long-time love of musical theatre), but I find it inexplicably accurate when discussing word-of-mouth marketing.

Most readers will not tell their friends how great you are. Sadly, your book is not their primary topic of conversation. However, word-of-mouth marketing is the best, and least expensive, tool you have.

Always has been. Always will be.

Further, this is the way people make buying decisions now—recommendations from friends and respected experts—which is why social media campaigns sell. Static advertising is no longer effective. (Let me say that again: Advertising no longer works.)

Now, the most effective forms of promotion involve conversation. This means review sites, blogs, co- and cross-promotion with other authors, book clubs, signings, and most important, two concepts with more meaning than you think: “Buzz” and “viral” marketing.

Buzz Marketing, as the name implies, is about people talking about your product. However, its specific meaning in the marketing world moves beyond organic discussion. In marketing parlance, buzz is generated by designing the conversations you want people to have. A great example is drug commercials: “talk to your doctor about [insert medication].” If you think lovers of Gone with the Wind will buy your book, tell them why your hero is like Rhett Butler. If they agree, they will tell friends who also love Southern historical fiction. (If they don’t agree, the strategy will backfire, so design your conversations carefully.)

Viral Marketing, like a cat video shared ten million times on YouTube, is created by giving someone an item to pass along. This might be a video trailer or coupon or a sample book or a rack card, but should always be designed to bring people back to your product. A bookmark is lovely, but without an easy link to a buy site (not just your website), its usefulness is limited. Likewise, a pass-along no one passes along is irrelevant.

To achieve these all-but-magical forms of promotion, back to my third-favorite musical of all time (before you ask, Camelot and My Fair Lady).

Pick a Little

Loglines, elevator speeches, and blurbs aren’t just for the back cover (or pitching an agent) anymore. Today, you are pitching everyone who might be interested, including people you will never meet.

Identify thought leaders: Since customers take their advice from friends and experts, pick your targets carefully. Street teams work because their friends probably have similar tastes and are more likely to listen to a friend’s recommendation than yours. Similarly, if a noted authority (like a bestselling author or well-known reviewer) supports your product, buyers will listen.

Keep it short: Loglines work better than blurbs for verbal and social media exchange. “[Book Title] is about [if you have to take a breath, your conversation is too long].”

Start smart: Choose a limited number of outlets and messages until you know what works, and track your results. Indiscriminate efforts are wasted. Begin small and only escalate what sells.

Create Meaningful Messages: Make much of milestones, like bestseller lists, publication anniversaries, or selling a certain number of copies, because these tidbits are easily shared by loyal fans. Promote great reviews, especially ones by thought leaders.

Talk a Little

Begin with human interaction, not calculated conversation starters. Get to know your audience—and let them get to know you—by joining and participating in:

  • Writers’ groups. While the “author water cooler” is, in some ways, counter-intuitive, authors help each other and classes in craft will never hurt your chances of success. To make this most effective, remember that turnabout is fair play; giving back to the community is imperative, not optional.
  • Social groups related to your interest, online and otherwise, for instance, online research-sharing groups, a gardening society, or a historical reenactment troupe.
  • Relevant associations, like historical preservation societies, religious study groups, or scientific research consortiums.

When you have found a niche or two where you feel comfortable, attend meetings, volunteer, speak up in online forums, and generally make yourself known, not just as an author, but as a contributor. The chance to talk about your book will occur naturally, and your audience will be more receptive.

Cheep (or Rather, Cheap)

Word-of-mouth is the least expensive marketing option. When it begins to move on its own, it costs you nothing, and before it does, most of your outlay is in time, not cash. A couple of ideas to stimulate buzz and viral messaging:

Cheap

Giveaways: Sending an e-copy of your book to a potential reader is a great investment. That said, give away the book or directly related items, not “anything someone might want,” and don’t spend more than your sale is worth. Also, target your giveaway. It makes no sense to give a novel to someone who only reads nonfiction. Copies to reviewers are great, but don’t send a historical romance novel to Suspense Magazine.

Cheap

Sales: Judiciously lowering the price on your book is great way to get word-of mouth moving. If you watch social media, you will see that “This book I loved is only 99ȼ!” is shared far more often than, “I loved this book.” If you combine sales with similar authors, so much the better, because then you are sharing a larger pool of readers interested in your genre.

Talk a Lot

Once you know which conversations to have and with whom, spread them around! Every sentence can’t start with, “My book,” or the pass-along will be “boring and self-centered.” But as you find the balance between normal interaction and sales, you will naturally find opportunities for both.

Pick a Little More

As time goes on, expand your conversation starters, extend your reach to new thought leaders, and find new outlets for your message. But always—always—make sure the words you are putting in other people’s mouths are ones you want repeated.


Mari ChristieMari Christie is a professional writer, editor, and designer with almost twenty-five years’ experience in marketing and business communications. She holds a BA in Writing from the University of Colorado Denver, summa cum laude, and is a member of the Bluestocking Belles and the Rocky Mountain Fiction Writers. Under the pseudonym Mariana Gabrielle, her first Regency romance, Royal Regard, was released in November 2014 and her second, La Déesse Noire: The Black Goddess will be available in June 2015.

Websites: www.MariChristie.info and  www.MarianaGabrielle.com
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Marketing in the Bazillion-Book Marketplace (Re: Good Writing)

In response to E.Ayers on a thread on the Exquisite Thrills Yahoo Group, discussing poor quality writing and editing in published books:


billboard-951520-mI have been writing, editing, and designing for a living for 20+ years, not in big publishing or fiction, but rather small-ish periodicals, corporate work, and academia. I have a summa BA degree in Writing, with a minor in Creative Writing (non-fiction), have taught and trained grammar and structure, and have probably authored and/or edited at least one of every kind of composition that exists English, from an epic poem to a three-inch thick technical proposal.

The editing problem, as I see it, is this:

When I started in small pubs in the early 90s, traditional publishing was still a fat industry. There was a place for new authors to come up, strong, smart editorial departments that had enough internal support and financial liquidity to take creative risks, enough staff to ensure high quality, and enough clout—as an industry—to attract high-quality English majors coming out of college and train them to become superlative publishing professionals (editors, copyeditors, proofreaders, cover designers, marketers, agents, buyers, etc.).

Over the past twenty years or so, Big Pub has gone the same way as every industry that becomes more profit-driven (an — perhaps the — intrinsic feature of capitalism).

The amazingly good people who were trained to be part of the “honorable book trade” were downsized; younger, less experienced people were hired for less money, but without the mentoring structure that had always existed to teach important skills. Budgets were pared in all areas, from staffing to paper quality to font sizes to “risky” projects (which had fewer advocates on staff anyway). Authors were weaned off the marketing budget, publishers requiring them to take responsibility for more and more every year, until now, the marketing budget is only used for low-risk authors, meaning ones who earn the company money before they even start writing. Everyone else? Buy your own bookmarks. Do you have a Facebook page yet?

To your original point, as the traditional industry falls in on itself and the e-marketplace advances, many, many small presses and indies have popped up to pick up where Big Pub left off. However, there are only so many of those downsized professionals who can/will work for what a small press pays and only so much capital available for indie ventures. Further, the training structure and professional standards that once were integral to the industry have not been replicated in the indie world yet (and may never be).

Getting a 4.0 in English is not the same as being a book editor, copyeditor, or proofreader — or an author. There is a dearth of professional depth in the book trade; a low barrier to entry into publishing; a massive, industry-wide misuse of author time (and money), now spent on tasks other professionals and publishers used to do; and a surplus of people who “always wanted to write a novel” and “got good grades in English.”

The untrained beta reader has become a substitute for an editor with two degrees, ten years of on-the-job training, and a meaningful understanding of all levels of the book trade. The neighbor’s sister’s friend is proofreading books to subsidize beer money, rather than someone who has been correcting galleys for twenty years and can quote ten different stylebooks on request. Marketing is piecemeal on a proliferation of social media sites, rather than being handled by in-house teams who have been maximizing book sales for decades. And to be clear, these professionals may not be available with a contract at the Big 5 anymore, either.

No one wants to be the person pining for “the good old days” (because how old does that make me?), and in some ways, the industry and authors have benefited from these changes in the marketplace. Not least, it is brilliant so many more writers can now be heard and are so much better compensated by royalty. But the past twenty years have not been kind to publishers or authors, and on the whole, the “improvements” are not improving the quality of what we read.

Next up, what to do about it.

(Don’t hold your breath for that installment.)

Marketing in the Bazillion-Book Marketplace, Pt. 3 – Giving Away the Farm

billboard-951520-mWhen I write, I do my best not to “give away the farm,” or tell too much too early, lest my readers lose interest. However, it is in my best interest to keep this concept in mind when marketing it, too. Giveaways can work, or every author on the internet wouldn’t be running contests to win tote bags or handing out bookmarks at events.

They can also leave you with no farm.

“Swag” used to be called “marketing collateral” and “advertising specialties.” Now, it is the core of author “goodie bags” given at book fairs, signings, and online release parties. Rack cards, bookmarks, key chains, mouse pads—seemingly anything a person can buy with a book cover on it at VistaPrint or CafePress. But let’s get serious. You aren’t giving things away for the love of giving, and you shouldn’t have to bribe the general public to read your book. That said, in an environment where “viral” and “buzz” are keywords of note, it is always smart to give people something to talk about.

In marketing parlance, “thought leaders” are people whose opinion is important to your audience, which means they are the most important recipients of your attention. So, if you are making a list of people to provide with a giveaway, always start with people who have large followings of their own.

In the indie book world, this means book reviewers and bloggers, especially ones with high traffic. Book clubs are another source, though word-of-mouth will be smaller and slower. Contests are good, but they cost entry fees and have to be won. Industry/trade magazines are the cream of the crop, but it is no simple task to be seen in Publishers Weekly without buying advertising. Keep in mind, your novel’s thought leaders may not just be “general book reviewers,” so be as specific as possible, such as Civil War historians, garden club presidents, or chefs in Seattle.

There are some primary rules of thumb:

  • Make a budget and stick to it.
  • Set a baseline of average daily sales before your giveaway and track increases accordingly.
  • Only repeat a giveaway if it makes sales. Don’t spend more than you sell.
  • Giving away your product is always the best option, but don’t give it to everyone.
    • An e-book may be cheapest and easiest, but a signed print book is more personal and will have more perceived value. (If you don’t have a print-on-demand version, go to CreateSpace or Lightning Source and get one.)
    • While KDP Select may sound like a good way to accomplish a giveaway, don’t buy into exclusive sales anywhere. You can change the price to $0.99 for a week on the KDP Dashboard anytime. Smashwords (and others, like oAuthor) will provide a coupon code.
    • The Goodreads Giveaway is a route to the same end, and not a bad one, but in and of itself, is not enough. (My opinion on the problem of Goodreads another day.)
  • Remind readers of your book. Random gifts have nothing to do with your novel. If you are selling your novel as a “beach read,” give away a beach towel with your cover on it. If your book is digital-only, give away a branded e-reader cover. A mug with a random quote is ineffective, but a funny line from your book superimposed on your cover, much less so.
  • Contests and raffles are great, but make sure you get something for it. Make people buy a copy of your book or put a review on Smashwords or sign up for your newsletter. To my mind, one Like on Facebook is not worth a $10 prize.

What to give away:

No-cost

  • Sharables on social media (memes, videos, coupons, etc.)
    • Make sure to include links to your book.
    • Include the cover or elements of your cover, like the font or graphics.
    • Size your memes appropriately for the social media venue.
    • Use lines of dialogue or short excerpts, as well as your blurb.
    • Create more than one and plan a cycle.
  • Your signature
    • Never let a print book leave your hands without signing it. If you can inscribe to a specific person, do it.
    • Authorgraph allows your Kindle readers to request an “autograph” for an e-book. Make this accessible on your social media sites and websites.
    • A traditional book signing makes you money (or should, anyway), but are still hard to arrange for indie books. Setting up/lobbying for a signing for indie authors at your local bookstore can’t hurt, but takes time and the bookstore has to make money somehow.
  • Excerpts/samples
    • Not only on sales sites, but on your website, your blog, and anywhere else you can find.
  • Advice or information (if you are an expert)
    • For instance, blog posts about book marketing. 😉
  • Printed draft copies of your book (great as contest prizes, even better covered in red ink and spilled coffee)
  • “Your name in my next book.” (Also great for contests.)

Low-cost

  • Copies of your e-book
    • NOTE: Don’t think of this as free because you don’t take money from your pocket. Giving it away costs you the same price as you would charge a reader. Your product must have value—especially to you—if you want other people to buy it.
  • Signed print copies
  • Coupons and sales, or gift cards specific to your book
    • On Amazon, use “Buy this book as a gift” or “Suggest a product for this gift card,” not a generic card
    • Use Amazon “Print-at-Home” gift card holders using your book’s cover
    • Have a “greeting card” or “business card” printed with your book cover and a Smashwords coupon code.
  • Bookmarks/Rack cards
    • These are great for signings, when so many people buy a Kindle copy, and now come cheap, under $50 for 500, at sites like GotPrint.com.
    • Use a QR code to take people to a buy link or your website.
    • Fit your card to a standard literature rack. Place racks in local businesses (with permission), like used bookstores or the café where you wrote most of the book. Keep track of how fast your cards disappear in each location.
    • Put a stack of your cards on bulletin boards (also with permission). Just one can be forgotten. If there are five, a card can be taken home as a reminder to buy.
  • A book trailer
    • I have been trying Animoto for a low-cost option, and I like it a lot. Otherwise, they range from $50 to $2000, with quality to match. (NOTE: The free account at Animoto cannot be used if you plan to use the video as a promotional tool.)
  • Your book in a box set
    • You will make next to nothing, but co-promotion is great, especially if you are selling multiple titles and genre readers might “discover” you.
  • Charitable donations
    • Not only a good practice in general, this also opens up your readership to people with a vested interest in your success. However, always tie it into your book. If your main character has an illness, give to related research. If she is a firefighter, give to the Fallen Firefighters Foundation. If he loses his dog as a central plot point, give to the ASPCA (and use puppies in your advertising).
    • Engage the charity in advertising for you in newsletters, on their website, etc.
    • You don’t have to give 100% of your sales to make this work, but larger is better than smaller. Long-term is better than short-term, but only if you keep advertising it.

High-cost (especially for contests and raffles)
(Give away a free or discounted copy of your book with all of the following.)

  • Advertising specialties (mugs, key chains, tote bags, mouse pads, e-reader covers, t-shirts)
  • Items replicated from your book (jewelry, clothing, toys, etc.)
    • The only reason to give away jewelry is if your heroine wears a necklace you can have recreated. (This is true for one of my clients, author of The Coin, because a bracelet is central to the plot.) Your hero might wear a jean jacket he uses to save the heroine from certain death. Your heroine might be known for always wearing a bow in her hair. If you are writing an erotic romance… well, you get the picture.
  • Tickets, tours, or entry fees to related businesses.
    • If your mystery novel starts with a murder at the Louvre, or your hero and heroine meet every year at the top of the Space Needle, or they have their tenth anniversary dinner at the 21 Club…
  • Related books
    • Research books you used, coffee table books on your topic, art books focused on your time period…
    • This should go without saying, but only give away used books if they are rare or first editions.

Don’t bother with:

  • Anything with no connection to your book.
  • Anything you pick at random because “someone might want it.”
  • Anything you bought just because your friend sells it.
  • Classic books in your genre
    • Do you really want to be compared to Jane Austen or Nathaniel Hawthorne?
  • Generic [Amazon] gift cards
    • These probably won’t be used to buy your book. (I always spend mine on something from my Wish List.)
    • Even worse if they aren’t meant to purchase books at all, like restaurant or big-box store cards.
  • Unrelated electronics
    • A year from now, when someone asks, “Where did you get the iPad Mini?” your contest winner will answer, “Some book promotion on the internet.” This goes for e-readers, even with your book loaded!!
  • Unrelated jewelry or clothing
    • “Nice earrings! Where did you get them?” “Some book promotion on the internet.”

Because I am gearing up to a book launch at the end of November, with pre-order beginning October 1, I am starting to plan my giveaways now. My current list includes (but will assuredly not be limited to):

  • Five promo memes each for Facebook and Twitter
  • Three book trailers
  • Bookmarks and rack cards with blurb and QR code
  • “Greeting cards” with a Smashwords coupon code (one for free and one at a discount)
  • Advertising specialties featuring promotional memes and/or book cover
  • Authorgraphs to be proactively emailed
  • Signed copies of the print book
  • Printed, marked-up first draft of the book
  • “Your name in the next book” contest
  • Tickets to Dulwich Picture Gallery and a tour of Buckingham Palace (both settings in the book)

While I am planning to give things away, I won’t be bankrupting my marketing budget, nor “giving away the farm” (or the plot). As you start to create your own list, keep in mind that creativity doesn’t stop when you finish writing your book. The more interesting your giveaway, the more interest it will generate.

To be continued…

(Please feel free to place links in the comments to your social media accounts, and I will Like/Follow, etc. Same goes for blurbs and buy links to your books.)

Mari Christie – Writing/Editing/Design
www.MariChristie.info

Books Available at Amazon.com:
Saqil pa Q’equ’mal: Light in Darkness: Poetry of the Mayan Underworld
A Loaf of Bread: A Collection of Illuminated Recipes

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